I was in the grip of my own unconscious, projecting the shadows I was grappling with onto the work environment around me. I felt compulsively gripped by a desire to “fight the evil empire.” At my darkest point, I disregarded the fact that I did not have all the details and simply projected my personal beliefs and limited perceptions onto every decision made.
The film is arguably an example of INFJ art itself, providing a window into the awakening INFJ nature essential to the culture’s efforts to address power imbalances and welcome a new consciousness toward that which is deemed “other.” This paradigm shift ultimately requires humans to become active participants in an awakening consciousness.
“Interpretations” of dreams must be filtered through a layer of consciousness. One contribution of dream tending as an effective tool for Jungian dream work is the value it places on the sensing function as an imaginal way of knowing. Thus, it de-emphasizes the intuitive and thinking functions many Jungians use in traditional dream analysis and brings sensing and feeling to the fore.
What is evil? We know it when we see it. Evil is subjective; it often depends on our point of view. For example, when the two women asked if they could tell me what I did wrong, I had a choice; I could either see their offer as helpful or “evil” in the sense that they were out to destroy my work. Can we utilize the power of psychological type to better understand what evil is?